Science-fiction artists had drawn circular spacecraft long before that: an early Flash Gordon strip from 1934 features a spinning "squadron of deadly space-gyros". And yet it didn't take off, so to speak, until the 1950s, when the world went flying-saucer crazy. The flying saucer is a design classic – the archetypal Unidentified Flying Object. "By the end of the 1950s," says Andrew Shail, senior lecturer in film at Newcastle University, "that particular shape had become a shorthand for 'spacecraft piloted by beings from another world', available to everyone working in the visual arts." Sure enough, flying saucers have signified mysterious visitors from Mars and beyond in countless films, TV series, novels, comics, and even hit records, from Mulder's I Want To Believe poster in The X-Files TV series to the popular children's picture book, Aliens Love Underpants. Don't Look Up: The stories that reflect our oldest fear Flash Gordon: An erotic sci-fi extravaganza Maybe, just maybe, Nope will be a proper flying-saucer movie – a celebration of one of the most recognisable and spine-tingling shapes in the history of popular culture. Judging by the twists and turns in Peele's previous films, Get Out and Us, it's impossible to say whether its real or fake, whether it's from the Earth or from outer space, but that glimpse of sparkling silver is tantalising. It's only there for a moment i n the trailer for Jordan Peele's new horror film, Nope, but it's definitely there: a flying saucer.
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